Monday, 10 October 2016

9/10/16 PLANNING: Treatment



9/10/16 PLANNING: Treatment
I have researched into film openings and watched a video by Frank Ash, he describes how every successful TV opening needs a top line and a big question.
Top line: Young girl escapes from a pharmaceutical laboratory thanks to one scientist releasing her.
The big question: Will she escape? What did they do to her? What does this girl know that makes her so important?
Treatment: a young girl is being held captive at an interrogation lab because she has been given a new illegal drug developed by her parents who are undercover pharmacists. She is acting very strange and they are carrying out tests on her. We see flashbacks to her parents injecting her and she gets released on purpose by a young man working there who thinks it’s wrong and that she is unsafe. We see the head of the lab talking to him and showing him pictures of the girl and at the same time it flashes to the girl running through a forest and tripping and gasping for air we also see a nasty looking cop with a gun running after her and we worry for her life, a flash light shines on her face and it’s revealed that a nice local couple who are on a walk have found her, not the cop.


Friday, 7 October 2016

The Matrix

The Matrix
Soundtrack
·         Diegetic sounds of a high pitched ringing when the numbers are all changing at the beginning. This high pitched sound gives the effect of uneasiness on the audience as it slowly gets louder, as the camera pans closer to the numbers. This lets the audience know that numbers and code are paying an important factor in the movie. The effect of the noise warping as you go through the numbers, show they are the most important feature of the opening and the sound revolves around them.
·         Diegetic sounds of guns loading before this woman. This gives the effect of real danger for this woman. As there are multiple guns loaded and aimed at her. This sound draws attention and danger to the guns, making the audience feel the presence of them not just in the movie. This helps bring fear into not only into the film, but into the audience as well.
Camera work
·         The slow upward pan towards the female characters face, this shows her to be the main protagonist as she is the only face we have spent more than one second with. The use of making us spend time with her, brings us closer to the character. This also makes us root for this character from then on, helping the audience feel the fear she has, as she is in real danger.
·         The high angle shot of all the police cars outside the hotel, this shot really solidifies how serious this situation is. There were around seven police cars there, making the audience realise this is a serious crime. This draws the audience to watch on as they will want to know what this girl doing that is caused this much of a commotion.
Mise en scene
·         The opening set as a dark gloomy hallway, this hallway has low hanging wires that are very dangerous looking, making the audience fear why these police are risking a dangerous situation, what is so important? The hallway has not lights, maybe showing the lack of good in that space. The walls are grey and dripping with water and mould. This is very off putting to the audience and lets them know through foreshadowing this is not a light movie.
·         The two men that enter outside the hotel are in all black suits, this is very different to the other officials there. The police are all in uniform and seem quite taken aback by these men. The black suits and black sunglasses hide the face of these characters, meaning we do not attach or root for them when we first see them. They have a wire ear piece, meaning they are on official business, this is making the situation at this hotel more important. This wire also means the men could be being told what to do, so we do not trust them at first.
Editing
·         At the beginning there is a stream of EFX, in the form of green numbers quickly all changing across the screen. This gives the effect of coding through the screen. This sets the theme of the film as linked with computers, and coding. The code is always changing throughout, making the audience uneasy as the code looks as if it’s being changed.
·         In the opening scene of police wandering through the hotel, there are lots of fast cuts. The use of quick cuts and changing gives the effect of intensity in the police. And action are they are quickly moving around and knocking down doors. This makes us feel as if we are wandering in the dark with these men. However we do not trust them as they are not spending much time on screen. And not one of their faces is shown for longer than half a second.